The Grumpy Owl

The Grumpy Owl

batteredshoes:

Third Pot, Anyone?  Hello?  Hello?  Still Working Over Here…

batteredshoes:

Third Pot, Anyone?  Hello?  Hello?  Still Working Over Here…

(via mudwerks)

nise3kawan:

1406265844758.jpg
ペストスレ こんな恐 - 二次元裏@ふたばhttp://may.2chan.net/b/res/275491479.htm

nise3kawan:

1406265844758.jpg

ペストスレ こんな恐 - 二次元裏@ふたば
http://may.2chan.net/b/res/275491479.htm

(via akibahotnights)

directorlazard:

rapeculturerealities:

fuckyeahifightlikeagirl:

sweetsugaryshock:

beben-eleben:

For future reference.

Thank you.

For those who would ever need it. -C

reblogging here because i can see this being relevant to anyone who’s ever tried to get out of an abusive relationship

Reblogging because that last comment made me reread the whole thing in a new light and realize this could be vital information. So, putting it out there for everyone, and hoping no one ever really needs it.
directorlazard:

rapeculturerealities:

fuckyeahifightlikeagirl:

sweetsugaryshock:

beben-eleben:

For future reference.

Thank you.

For those who would ever need it. -C

reblogging here because i can see this being relevant to anyone who’s ever tried to get out of an abusive relationship

Reblogging because that last comment made me reread the whole thing in a new light and realize this could be vital information. So, putting it out there for everyone, and hoping no one ever really needs it.
directorlazard:

rapeculturerealities:

fuckyeahifightlikeagirl:

sweetsugaryshock:

beben-eleben:

For future reference.

Thank you.

For those who would ever need it. -C

reblogging here because i can see this being relevant to anyone who’s ever tried to get out of an abusive relationship

Reblogging because that last comment made me reread the whole thing in a new light and realize this could be vital information. So, putting it out there for everyone, and hoping no one ever really needs it.
directorlazard:

rapeculturerealities:

fuckyeahifightlikeagirl:

sweetsugaryshock:

beben-eleben:

For future reference.

Thank you.

For those who would ever need it. -C

reblogging here because i can see this being relevant to anyone who’s ever tried to get out of an abusive relationship

Reblogging because that last comment made me reread the whole thing in a new light and realize this could be vital information. So, putting it out there for everyone, and hoping no one ever really needs it.
directorlazard:

rapeculturerealities:

fuckyeahifightlikeagirl:

sweetsugaryshock:

beben-eleben:

For future reference.

Thank you.

For those who would ever need it. -C

reblogging here because i can see this being relevant to anyone who’s ever tried to get out of an abusive relationship

Reblogging because that last comment made me reread the whole thing in a new light and realize this could be vital information. So, putting it out there for everyone, and hoping no one ever really needs it.
directorlazard:

rapeculturerealities:

fuckyeahifightlikeagirl:

sweetsugaryshock:

beben-eleben:

For future reference.

Thank you.

For those who would ever need it. -C

reblogging here because i can see this being relevant to anyone who’s ever tried to get out of an abusive relationship

Reblogging because that last comment made me reread the whole thing in a new light and realize this could be vital information. So, putting it out there for everyone, and hoping no one ever really needs it.
directorlazard:

rapeculturerealities:

fuckyeahifightlikeagirl:

sweetsugaryshock:

beben-eleben:

For future reference.

Thank you.

For those who would ever need it. -C

reblogging here because i can see this being relevant to anyone who’s ever tried to get out of an abusive relationship

Reblogging because that last comment made me reread the whole thing in a new light and realize this could be vital information. So, putting it out there for everyone, and hoping no one ever really needs it.
directorlazard:

rapeculturerealities:

fuckyeahifightlikeagirl:

sweetsugaryshock:

beben-eleben:

For future reference.

Thank you.

For those who would ever need it. -C

reblogging here because i can see this being relevant to anyone who’s ever tried to get out of an abusive relationship

Reblogging because that last comment made me reread the whole thing in a new light and realize this could be vital information. So, putting it out there for everyone, and hoping no one ever really needs it.

directorlazard:

rapeculturerealities:

fuckyeahifightlikeagirl:

sweetsugaryshock:

beben-eleben:

For future reference.

Thank you.

For those who would ever need it. -C

reblogging here because i can see this being relevant to anyone who’s ever tried to get out of an abusive relationship

Reblogging because that last comment made me reread the whole thing in a new light and realize this could be vital information. So, putting it out there for everyone, and hoping no one ever really needs it.

(via catvincent)

magictransistor:

Austrian Master. Vanity Portrait of a Lady. 1700s. 
magictransistor:

Austrian Master. Vanity Portrait of a Lady. 1700s. 

magictransistor:

Austrian Master. Vanity Portrait of a Lady. 1700s. 

(via thehiddenscience)

jaws-and-claws:

dog face to face eye to eye by MedicineMan4040 on Flickr.
magictransistor:

Chesley Bonestell (1888–1986)
magictransistor:

Chesley Bonestell (1888–1986)
magictransistor:

Chesley Bonestell (1888–1986)
magictransistor:

Chesley Bonestell (1888–1986)
magictransistor:

Chesley Bonestell (1888–1986)
magictransistor:

Chesley Bonestell (1888–1986)
magictransistor:

Chesley Bonestell (1888–1986)
magictransistor:

Chesley Bonestell (1888–1986)
magictransistor:

Chesley Bonestell (1888–1986)
magictransistor:

Chesley Bonestell (1888–1986)

magictransistor:

Chesley Bonestell (1888–1986)

(via futurevisions)

magictransistor:

Fred Freeman
magictransistor:

Fred Freeman
magictransistor:

Fred Freeman
magictransistor:

Fred Freeman
magictransistor:

Fred Freeman
magictransistor:

Fred Freeman
magictransistor:

Fred Freeman

magictransistor:

Fred Freeman

(via futurevisions)

batteredshoes:

North Las Vegas

batteredshoes:

North Las Vegas

(via spaceghostzombie)

magictransistor:

Andy Warhol, Skulls (Acrylic, silkscreen and ink on canvas), ca. 1976.
magictransistor:

Andy Warhol, Skulls (Acrylic, silkscreen and ink on canvas), ca. 1976.
magictransistor:

Andy Warhol, Skulls (Acrylic, silkscreen and ink on canvas), ca. 1976.
magictransistor:

Andy Warhol, Skulls (Acrylic, silkscreen and ink on canvas), ca. 1976.
magictransistor:

Andy Warhol, Skulls (Acrylic, silkscreen and ink on canvas), ca. 1976.
magictransistor:

Andy Warhol, Skulls (Acrylic, silkscreen and ink on canvas), ca. 1976.

magictransistor:

Andy Warhol, Skulls (Acrylic, silkscreen and ink on canvas), ca. 1976.

(via acts-of-ultraviolence)

interdome:

worsethandetroit:

 THE HIDDEN INFRASTRUCTURE / INFRAECONOMY OF JOB ‘THREAT’ BILLBOARDS

Now let’s follow this down a rabbit-hole to the Employment Policies Institute (EPI) … and into the shadowy world of Front Groups.
EPI is an odious US lobbying company, an umbrella for a series of hit-n-run front-groups, that is run by Rick Berman, the self-styled “Dr. Evil,” “Conservative Weapon of Mass Destruction” and “Astroturf Kingpin” - a man who has grown fat and bald on the money these companies recieve to lobby against Healthcare, minimum wage increases, etc. The EPI is like corporate ‘cloud’ - nebulous, a business barely present in the physical world; it doesn’t have offices or employees - it “shares office space with Berman & Company on a cost pass-through basis” - makes millions from its clients, yet is registered as tax-exempt organisation and passes itself off as a ‘non-profit’ organisation.
It has much in common with the Infrastructural targets of #Stacktivism - a network of tenuous, teflon-coated companies, websites and IRS-reflective cash-conduits; an intangible organisational infrastructure that refuses to be concretised, it’s only solid-world front-end a series of billboards and adverts designed to seed fear amongst low-paid workers and those without health insurance. Its tangled web of influence and barely-visible cash-flows make it the ideal target for an open-journalism compaign.


if they could replace workers with iPads, they’d do it already, no matter how low the minimum wage is. Remember, they need you, or they wouldn’t give you anything at all.

interdome:

worsethandetroit:

THE HIDDEN INFRASTRUCTURE / INFRAECONOMY OF JOB ‘THREAT’ BILLBOARDS

Now let’s follow this down a rabbit-hole to the Employment Policies Institute (EPI) … and into the shadowy world of Front Groups.

EPI is an odious US lobbying company, an umbrella for a series of hit-n-run front-groups, that is run by Rick Berman, the self-styled “Dr. Evil,” “Conservative Weapon of Mass Destruction” and “Astroturf Kingpin” - a man who has grown fat and bald on the money these companies recieve to lobby against Healthcare, minimum wage increases, etc. The EPI is like corporate ‘cloud’ - nebulous, a business barely present in the physical world; it doesn’t have offices or employees - it “shares office space with Berman & Company on a cost pass-through basis” - makes millions from its clients, yet is registered as tax-exempt organisation and passes itself off as a ‘non-profit’ organisation.

It has much in common with the Infrastructural targets of #Stacktivism - a network of tenuous, teflon-coated companies, websites and IRS-reflective cash-conduits; an intangible organisational infrastructure that refuses to be concretised, it’s only solid-world front-end a series of billboards and adverts designed to seed fear amongst low-paid workers and those without health insurance. Its tangled web of influence and barely-visible cash-flows make it the ideal target for an open-journalism compaign.

if they could replace workers with iPads, they’d do it already, no matter how low the minimum wage is. Remember, they need you, or they wouldn’t give you anything at all.

pixography:

M.C. Escher ~ “House of Stairs”, 1956
A total of 46 “Wentelteefje" (imaginary creatures created by Escher) are crawling on the stairs. The "Wentelteefje" has a long, armored body with six legs, humanoid feet, a parrot-like beak and eyes on stalks. Some are seen to roll in through doors, wound in a wheel shape and then unroll to crawl up the stairs, while others crawl down stairs and wind up to roll out. The wentelteefje first appeared earlier the same month in the lithograph Curl-up. Later that month, House of Stairs was extended to a vertical length of 55½” in a print titled House of Stairs II by repeating and mirroring some of the architecture and creatures.

pixography:

M.C. Escher ~ “House of Stairs”, 1956

A total of 46 “Wentelteefje" (imaginary creatures created by Escher) are crawling on the stairs. The "Wentelteefje" has a long, armored body with six legs, humanoid feet, a parrot-like beak and eyes on stalks. Some are seen to roll in through doors, wound in a wheel shape and then unroll to crawl up the stairs, while others crawl down stairs and wind up to roll out. The wentelteefje first appeared earlier the same month in the lithograph Curl-up. Later that month, House of Stairs was extended to a vertical length of 55½” in a print titled House of Stairs II by repeating and mirroring some of the architecture and creatures.

sh8-bit-angora:

needthisbook:

Ten Major Artists:

Wong Wong & Lulu

Pepper examining himself before commencing a self-portrait

Pepper’s self-portrait

Tiger the spontaneous reductionist

Misty goes off the wall

Minnie, the abstract expressionist

Minnie’s Reindeer in Provence, 1992.

Smokey painting after an hour in the catnip patch

Smokey at work

Ginger’s Stripped Bare Birds, 1992.

Princess, the elemental fragmentist

Charlie, the peripheral realist

this literally makes me so happy

sh8-bit-angora:

needthisbook:

Ten Major Artists:

Wong Wong & Lu Lu

Wong Wong & Lulu

Pepper gazing into the mirror before a self-portrait

Pepper examining himself before commencing a self-portrait

Pepper painting his self-portrait

Pepper’s self-portrait

Tiger

Tiger the spontaneous reductionist

Misty in action

Misty goes off the wall

Minnie: abstract expressionist

Minnie, the abstract expressionist

Minnies finished work

Minnie’s Reindeer in Provence, 1992.

Smokey contemplating

Smokey painting after an hour in the catnip patch

Smokey painting after an hour in the catnip patch

Smokey at work

Ginger's 'Stripped Bare Birds', 1992.

Ginger’s Stripped Bare Birds, 1992.

Princess' 'Regularly Ridiculed Rodents', 1993.

Princess, the elemental fragmentist

Charlie the peripheral realist

Charlie, the peripheral realist

this literally makes me so happy

(via gasstation)

actegratuit:

Nevercrew street art
actegratuit:

Nevercrew street art
actegratuit:

Nevercrew street art
actegratuit:

Nevercrew street art

(via cyclopat)

n0hemian:

☀️

n0hemian:

☀️